Press Kit · Estuary Sessions · 2026

Don’t Take Your Light

Hunter Cahill

Hunter Cahill released his entire debut behind a wolf mask — six confessional singles the press called “stunning,” from a man who wouldn’t show his face. The Estuary Sessions are what happened when he took it off. Don’t Take Your Light is the barest thing he’s put out yet: hairs left in the sink for weeks, a scent kept in the sheets, the daily discipline of not letting yourself believe they’re coming home. Second single from the sessions, recorded with engineer Matt Gerhard at Estuary Recording in Austin. Out August 14, 2026.

Don't Take Your Light cover art: a barn and field at dusk with light breaking through the clouds

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Sometimes overwhelming, often heartbreaking, always compelling.

Indie Obsessive · Feb 2022

Fans of Manchester Orchestra and REM, rejoice. This is stunning stuff.

Soundsphere Magazine · Aug 2021

Everyone will find themselves in the song.

We Love That Sound · Oct 2021

Off-the-cuff, heart-on-your-sleeve.

Unxigned · 2021

Try not to wish
Take what I get

Try not to want
Want it, it’s gone

There are your things
All over the bed

There are the things
Can’t be unsaid

No birds sing in the trees
No flowers bloom for the bees

Ground has forgotten its seed
Well has run dry underneath

Don’t take your light
Out of my life, babe

Hairs in the sink
Leave them for weeks

Scent in the sheets
Leave them for weeks

Try not to drink
Quiet alone

Try not to think
You’re coming home

No birds sing in the trees
No flowers bloom for the bees

Ground has forgotten its seed
Well has run dry underneath

Don’t take your light
Out of my life, babe

Hunter Cahill is an Austin, Texas singer-songwriter. His debut collection Some Things You Don’t Know About Me arrived between 2021 and 2022: six self-recorded singles, confessional music that kept its distance. The press noticed. Austin Town Hall drew comparisons to David Bazan; Soundsphere called it “stunning.” He released all of it wearing a wolf mask.

The Estuary Sessions, recorded with engineer Matt Gerhard, go further back than the coping does: to a religious upbringing where love and fear were the same, and to what that does to a person.